Richard Strauss considered it his most important work to date – ‘the most perfect in form, the richest in content and the most individual in character’. Berlin Philharmonic Orchestra/Herbert von Karajan. In terms of sheer conductor/composer empathy, this remains one of the most perfectly conceived and executed documents ever committed to disc. And links between Also sprach Zarathustra and the Vienna and Berlin Philharmonic orchestras run deep, Strauss himself seeding ideas in 1944 that Karajan took to the moon in 1973. An earworm motif – high, dancing, polytonal woodwind music – emerges from out of this tonal whodunnit to reappear in various guises. Eine tiefergehende Analyse finden Sie hier: Interpretation "Also sprach Zarathustra" von Friedrich Nietzsche. Price € 19.99 – € 27.49: Qualities: Channels: Clear: Original Recording Format: DSD 64. 30 Richard Strauss b. Munich, Germany / June 11, 1864 d. Garmisch-Partenkirchen, Germany / September 8, 1949. Karajan takes the introduction at a spacious and unhurried tempo and makes devastatingly creative use of Strauss’s dynamics – he seems to be the only conductor to have noticed that the trumpets begin p and there is no crescendo! This recording not endorsed or affiliated with the University of Chicago or any of it's staff. Date / Artists Record company (review date), 1935 Boston SO / Koussevitzky RCA 29026 60929-2 (2/36R, 11/92), 1950 VPO / Krauss Testament SBT1183 (1/51R, 10/00), 1954 Chicago SO / Reiner RCA 88697 68699-2; 88697 71287-2; Sony 88697 71263-2 (11/55R, 4/93R), 1958 Concertgebouw Orchestra / Mitropoulos Orfeo C458 971B, 1959 VPO / Karajan Decca 466 388-2DM (8/59R, 5/00), 1962 BPO / Böhm Testament SBT2 1489 (4/14), 1970 New York PO / Bernstein Sony SMK47626, 1971 Staatskapelle Dresden / Kempe EMI 678312-2; Warner 431780-2; Brilliant 7591 (10/73R), 1971 Boston SO / Steinberg DG 463 627-2GOR (2/72R), 1973 BPO / Karajan DG 447 441-2GOR (1/96); 474 281-2GX2, 1976 Bavarian RSO / Leitner Orfeo C555 011B, 1983 BPO / Karajan DG 439 016-2GHS (8/84R), 1983 VPO / Maazel DG 427 821-2GDC (4/90 – nla), 1987 RSNO / N Järvi Chandos CHAN10206 (3/88R), 1987 New York PO / Sinopoli DG 478 5412GB; Eloquence 480 0411 (9/88R), 1988 Cleveland Orch / Ashkenazy Decca 425 942-2DH (11/90 – nla), 1988 Cologne RSO / Bertini Capriccio C71125; C7136, 1988 Slovak PO / Košler Naxos 8 553244; 8 550182, 1995 San Francisco SO / Blomstedt Decca 478 4254DM2 (7/98R), 1996 BPO / Solti Decca 452 603-2DH (5/97), 1997 Dallas SO / Litton Delos DE3225 (12/98), 2002 Düsseldorf SO / Fiore Hänssler CD98 476, 2012 CBSO / Nelsons Orfeo C878 141A (7/14). A song that I have to include in a proyect for the University Addeddate 2013-12-30 13:01:45 Identifier AlsoSprachZarathustraOp.30Strauss Scanner Internet Archive HTML5 Uploader 1.4.2. plus-circle Add Review. Sinopoli’s view of the work as a slab of pure proto-modernism holds its nerve through thick and thin – bracing walls of sound and, at 37 minutes, the longest version on record. The controlled resonant echo of the recorded acoustic fits the orchestral sound like a particularly elegantly tailored glove. And a piece that could lock so much diametrically opposed material inside a musical structure was indeed prescient. Trumpets and pounding timpani announce the dawn motif, culminating in a blazing C major climax for full orchestra. Zentren: Berlien, Wien Merkmale: Vergrößerung des Orchesters Programmmusik Cover Richard Georg Strauss per Klavier per Gitarre Remix Fritz Reiner returned to Also sprach Zarathustra often but it’s his 1954 recording with the Chicago SO that stands out. And we have killed him. (Valery Hache/AFP/Getty Images) I can't imagine a … Richard Strauss’s well known composition, Also Sprach Zarathustra, has since the dawn of movies and TV become one of the most overused and yet still anticipated pieces of music in history. Facebook Twitter . The composer conducted its first performance on 27 November 1896 in Frankfurt. Arctic Night (Grade 5, list B1... Dance Of The Hours (from La Gi... Vaer Velkommen, Herrens Ar. The song Also sprach Zarathustra was written by Richard Strauss and was first performed by Richard Strauss and the Frankfurt City Orchestra. Also sprach Zarathustra Ein Buch für Alle und Keinen Inhaltsverzeichnis Erster Theil Zarathustra's Vorrede Die Reden Zarathustra's Von den drei Verwandlungen Von den Lehrstühlen der Tugend Von den Hinterweltlern Von den Verächtern des Leibes Von den Freuden- und Leidenschaften Vom bleichen Verbrecher Vom Lesen und Schreiben Vom Baum am Berge Yeah, good idea. 30 Strauss. Jack of Oz 21:13, 23 April 2011 (UTC) Support. Everything that will occur has already occurred, and will recur repeatedly across space and time. A swirling bone that transforms into a communication satellite, the docking with the space station, the Earth in shadow against a sliver of the sun and the appearance of the ‘star child’ all remain indelible images from Stanley Kubrick’s epic film 2001: A Space Odyssey. Giuseppe Sinopoli gave the NYPO a more convincing workout in 1987. A typical performance lasts half an hour. How shall we comfort ourselves, the murderers of all murderers?’ Lacking a superior governing moral authority, Nietzsche feared that Western civilisation would inevitably fragment and lose its way. Richard Strauss) by Sascha Ende . Also sprach Zarathustra (Untertitel Ein Buch für Alle und Keinen, 1883–1885) ... Der Komponist Richard Strauss schuf eine gleichnamige sinfonische Dichtung, die 1896 uraufgeführt wurde. Download booklet. plus-circle … Richard Strauss' iconic opening to Also Sprach Zarathustra evokes a sense of vastness and power, Marin Alsop says. That would match every other article (a couple dozen) that appends his name. If so, I hope he interviews well. Jhd. Everything about Dudamel’s performance, recorded at the Berlin Philharmonie in 2012, feels calculated and badly misjudged. And for German philosophy, hitherto wedded to Hegel’s ideas of linear and teleological time, this was a radical moment of departure. Jack of Oz 21:13, 23 April 2011 (UTC) Support. Karajan’s 1973 version is definitive in a way that few recordings are: a seamless meeting of minds between composer and conductor. Nietzsche ‘Zarathustra’ was composed in 1896.It was inspired by Friedrich Nietzsche's famous philosophical treatise of the same name, ‘Also sprach Zarathustra. International licensing, If you are a library, university or other organisation that would be interested in an institutional subscription to. You start dealing with the paradox that Eugene Ormandy wove orchestral miracles, the specifics of which are soon forgotten, while a 1958 version by Dimitri Mitropoulos with the Concertgebouw Orchestra has an intensity that stays with you beyond the haphazard ensemble and botched entries. A sensibly paced tempo that refuses to let Strauss’s material become weighed down by its own import helps; and where Dudamel can’t help but transform the next section, ‘Von der Hinterweltlern’ (‘Of those in backwaters’), into champagne string schmaltz, Nelsons keeps a discreet distance, letting Strauss’s vibrant, alive harmony take the strain. Der Aufbau der Reden erinnert an eine Liturgie, z. Just go ahead and do it, with the Move button. His obsession with detail – making literal what many conductors approximate – is clear from the first bar, where Strauss’s low-end bass instruments are blended into a perfect sonic infusion, the bass drum roll somehow ‘inside’ the sustained tones of the other instruments. Also Sprach Zarathustra Weiterverwendung Epoche Film Spätromantik Odyssee im Weltraum WALL-E Die Simposns Komponist 1870 bis ins 20. Which is more than can be said for Gary Bertini and the Cologne Radio SO, patched together from two performances in different halls. Bewegt — Das Grablied. Jhd. Notes. Like many of his contemporaries, the young Richard Strauss was enthralled with Wagner; indeed, a number of his compositions, especially the early opera Guntram (1887-1893), reveal an intent on Strauss' part to re-create the spirit of the older composer's works. Clemens Krauss was a Strauss intimate and his 1950 recording with the Vienna Philharmonic suffers from a curiously threadbare string sound, although the overarching structure never misses a beat. 30) ist eine sinfonische Dichtung von Richard Strauss, frei nach Friedrich Nietzsches Also sprach Zarathustra. The phosphorescence of the VPO strings floats above the vinyl pops and crackle, and no orchestra at this time could have been better placed to portray the Viennese waltz section – idiomatic doesn’t even begin to describe the VPO’s lead violinist. Also sprach Zarathustra (Op. Coupled with Till Eulenspiegel and Don Juan, the reference to Herbert von Karajan’s commanding 1973 record is explicit and unapologetic. 30 Entstehung: Februar 1894 bis August 1896 Uraufführung: 27. We're listening to a recording by the New York Philharmonic conducted by … Richard Strauss' … The composer conducted its first performance on 27 November 1896 in Frankfurt But, this is more historical frame-of-reference than anyone’s top-ranking choice. Richard Strauss' iconic opening to Also Sprach Zarathustra evokes a sense of vastness and power, Marin Alsop says. So how does he do it? Etwas Ruhiger, Ausdrucksvoll — Von Der Wissenschaft. Rewind nearly 70 years to 1944 and, with the Vienna Philharmonic, you hear Richard Strauss himself deploying a not dissimilar interpretative strategy. Also sprach Zarathustra (1896; Thus Spoke Zarathustra) is ostensibly a homage to the philosopher Friedrich Nietzsche but is actually a concerto for orchestra in which the entities of man and nature are illustrated and contrasted by opposing tonalities. The character of Zarathustra – who descends from a decade of self-imposed retreat on a mountainside to spread hard‑fought-for wisdom – is used to build a metaphor for Nietzsche’s fleshed-out ideas about God. Discover releases, reviews, track listings, recommendations, and more about Detroit Symphony Orchestra, Antal Dorati - Richard Strauss - Also Sprach Zarathustra • Macbeth at Discogs. Parallel forces of darkness and light regulate the behavioral tendencies of both man and the universe, he tells us, while Nietzsche’s belief in the concept of ‘eternal return’ posited the thought that time is cyclic. Sheets Product ID HL399413. When civilisation collapses and man ceases to be a player, those fundamental tones will continue to vibrate, like before man ever existed; the universe forever looping back on its own imprint. Everyday low prices and free delivery on eligible orders. 4 Psalm 96:1. November 1896, Frankfurt am Main, Museumskonzert Dirigent: Richard… Also sprach Zarathustra prepares to take its leave and the orchestra ascends towards the outer reaches of the cosmos. Save when you subscribe today and get your magazine + CD delivered direct to your door from the UK! Which loops me back to my starting point. It is a heavily jazz-funk styled rendition of the introduction from the Richard Strauss composition Also sprach Zarathustra. Select Your Cookie Preferences. Reiner’s star pupil Leonard Bernstein’s 1970 performance with the New York Philharmonic has moments of high drama – the 12 bell strokes at the end of the waltz section veritably holler – but the NYPO string sound is undernourished and the record feels prepared under pressure, lacking the customary Lenny love. Add to cart. Herbert von Karajan’s 1973 recording with the Berlin Philharmonic is so immovably etched upon the collective consciousness that this comparative essay feels almost redundant – why would you not want a part of this slice of history? Friedrich Nietzsche / Biographie (Seite 2) Friedrich Nietzsche / Biographie (Seite 3) Zum Werk. In Richard Strauss: Works. Weniger Breit — Von Der Großen Sehnsucht. B. endet jede Rede mit einem "Amen" der besonderen Art: "Also sprach Zarathustra." Recorded in 1971, Rudolf Kempe with the Staatskapelle Dresden prioritises clarity of line and texture over the sort of structural forward thinking favoured by Krauss. Also Sprach Zarathustra (1896) Strauss's first piece to show his mature personality was the tone poem Don Juan, written in 1888. Endings are beginnings are endings, everything that will occur has already occurred, and the chronological end turns out to be the best place to start – with the two most recent recordings, Andris Nelsons with the City of Birmingham Symphony Orchestra and Gustavo Dudamel with the Berlin Philharmonic, standing as telling case studies of where the interpretative history of Also sprach Zarathustra is at. Stanley Kubrick certainly thought so, and used "Also Sprach Zarathustra" as a Leitmotif … Thomas Dausgaard and the Seattle Symphony release thought-provoking live performances of two extraordinary orchestral works composed near the turn of the 20th century: Richard Strauss’ Also sprach Zarathustra and Alexander Scriabin’s The Poem of Ecstasy.Recorded in the stunning acoustics of Benaroya Hall, these bold, colorful scores celebrate the search for creative meaning and … Complete your Bernstein*, New York Philharmonic* - Richard Strauss collection. Sing Unto The Lord. He went on to compose a series of increasingly ambitious tone poems including Also Sprach Zarathustra. Richard Strauss’s tone poem, Also Sprach Zarathustra, takes its name from the work by Friedrich Nietzsche. Strauss keeps the structure taut to the point where you wish he would lend the final pages a little more breathing space, and the recording bunches Strauss’s multi-layered textures into a compacted middle range that proves unforgiving. Arctic Night (Grade 5, list B1... A. Ponchielli. Download and print in PDF or MIDI free sheet music for Also Sprach Zarathustra, Op.30 by Strauss, Richard arranged by for Violin, Trombone, Flute, Clarinet (In B Flat) & more instruments (Symphony Orchestra) It's a wonderfully evocative, dramatic piece that you can't help air-conduct. Nelsons, Karajan (1973), Kempe, Sinopoli rather than Dudamel, Previn, Maazel, Solti et al, because they realise the dangers of Also sprach Zarathustra entrapping the conductorly ego. Complete your Richard Strauss, Los Angeles Philharmonic*, Zubin Mehta collection. Those open perfect fifths we hear rising through the trumpets are as fundamental to sound as the alphabet is to verbal reasoning. Composed: 1896. Biographie. Gramophone is brought to you by Mark Allen Group Julen Har Englelyd. The BPO attack with a rougher grain than the VPO but Koussevitzky finds a greater emotional range than Strauss can muster. Strauss’s original subtitle – ‘Symphonic Optimism in fin de siècle form, dedicated to the 20th century’ – would ultimately be withdrawn but tells us something of his state of mind as he worked. Topics proyect, UPNA. Karajan’s strings never swoon and don’t decorate the air; during ‘Das Grablied’ (‘The song of the grave’) the rising first violins seemingly glide from out of the body of the orchestra, their softness cutting through the ensemble with considerable robustness. Later applications include sporting events, such as the adaptation by the Mighty Sound of the Southeast marching band at the The string sound in this recording has too often been described in terms usually reserved for Mantovani, although ‘sumptuous’ and ‘opulent’ strike me as well-meaning but inappropriate words. Strauss wrote Also sprach Zarathustra (“Thus Spake Zarathustra”) in 1896, a musical response to the philosophical treatise of the same title by Friedrich Nietzsche, which was in turn a response to a crisis in European thought — the rise of science, the demise of religion. Dadurch entsteht ein fast religiös-heilsverkündender Eindruck, obwohl Zarathustra … Inspired by Friedrich Nietzsche's novel of the same name, the initial fanfare became very famous after appearing in Stanley Kubrick's film "2001: A Space Odyssey". By now a pattern is emerging. The song Also sprach Zarathustra was written by Richard Strauss and was first performed by Richard Strauss and the Frankfurt City Orchestra. Dance Of The Hours (from La Gi... A.P. Nietzsche’s 1883‑85 book Also sprach Zarathustra was a meditation upon man’s place within the cosmos. Get the The Flaming Lips Setlist of the concert at Clyde Theatre, Fort Wayne, IN, USA on August 16, 2018 and other The Flaming Lips Setlists for free on setlist.fm!